Time continues its forward march and here we are again on a Wednesday. Time to link up with Kat and the Unravelers!
I spent most of my knitting time when we were away working on a charity hat, and I'm quickly approaching its end. As of yesterday afternoon's nap time, when I snapped this photo, it was about 4/5 of a Ruthie:
Funny story: She actually woke up when I first draped it on her, and I thought she was going to try to eat it and quickly snatched it back, but she almost immediately closed her eyes again. I guess the desire to sleep was stronger than her desire to chew! This yarn is Fibernymph Dye Works Bedazzled, which is 438 yards per 100 g, but as is usually the case with the skeins I get from Lisa, this one was a bit overweight at 106 g, so I've actually got about 464 yards to work with. I'll use most if not all of it, and that should make for a nice slouchy hat for someone.
I also worked a bit on the socks I started in the car on the way to the airport, but I was holding back a bit so that Molly and I could do heels at the same time. I was very pleasantly surprised to see how much she got done on hers considering that this is probably the first time she's ever worked on such small needles (her sock on the left is on a US 1/2.25 mm; mine on the right is on a US 0/2.0 mm).
While I'm working on these smaller projects, I'm also pondering what to cast on next. I think I may try to knit another summer top, specifically this one (Ravelry link), which was my original plan for the Miss Babs silk/linen I used on my Midsommarkrans. In fact, the Shibui linen yarn I found on the giveaway table at SSK should be pretty perfect for it. I may start swatching that soon.
I didn't read as much while we were away as I would have at home, but I've still managed to finish two (short) books in the past week:
Continuing my exploration of the work of Nobel literature laureate Han Kang, I read her latest, We Do Not Part. In terms of the subject matter, this felt like a logical continuation of Human Acts in that a large part of the book explores the trauma of massacres in Korea, this time on Jeju Island. (Note: If you've read The Island of Sea Women, then the history of this island will not be new to you.) The way this history is presented, however, is a bit strange. We start with Kyungha, who is struggling with nightmares in the wake of writing a book about another massacre (presumably the one depicted in Human Acts) when she gets a call from her friend Inseon, who is in a hospital in Seoul after a carpentry accident and begs Kyungha to come see her. When they meet, Inseon begs Kyungha to go to her house on Jeju to take care of her bird, and Kyungha makes the long journey in a treacherous snowstorm. When she awakes in her friend's house, with the power out, she is surprised to see Inseon there, all signs of her injury gone, and the two begin going through Inseon's extensive research on the massacres on Jeju and her intimate connection to them. The writing (or at least the translation of the writing) is beautiful, but the story itself is odd and at times hard to follow, and I felt a bit frustrated when I finished and found there was no explanation for how Inseon could be both in a hospital in Seoul and in a house on Jeju. The novel does serve as a vehicle for communicating the impact of the generational trauma of the events of 1948 and 1950-52, and presumably a Korean audience would have more knowledge of those events than I did; I felt at more than one point that I should stop and read about some of the history in order to have a more complete picture of the period. It's a hard book to read for a number of reasons, and it's one that perhaps I will revisit once I have a better handle on the context. I gave it 3.5 stars, rounded up.What are you making and reading this week?